Skip to main content

An All Too Familiar House

    


    Not the usual suspense-thriller synopsis I've become accustomed to when reading Lisa Jewell's novels,

however, I was entranced by this novel from the get-co. The House We Grew Up In centers around a

mother and her four children over the span of a decade. The mother, Lorelei, has an extensive hobby of

collecting items that harbor a memory of time spent with her loved ones. Each and every memory--

meaning each and every item she just happens to come across. Lorelei is in fact a hoarder and it does not

get better with time. It gets worse. In addition to Lorelei's intense and overbearing lifestyle, her children

forego their relationship with their mother and each other in order to gain a sense of normalcy within their

individual lives. One of Lorelei's children committed suicide at a ripe age of sixteen and her other three

were simultaneously impacted by the act tremendously. Her other son took to finding a thrilling lifestyle

in all the wrong places. Her youngest daughter took to lying and deceitfulness towards the closest person

in her life--her older sister. Lorelei's oldest child is the daughter who argues with her the most and

critiques the hell out of her hoarding tendencies. Each character, along with the peripheral ones, has their

own agenda within the novel-- whether it be to process what they've gone through in their pasts or what

they plan on achieving with predicted futures.

    The storyline wasn't the easiest to follow, jumping between times of "current day" and different years

within the decade. Although, once I had a jist of where I was within the time periods, I was comfortable

with reading the different POVs of each character. I found myself comparing that of the characters

lifestyle choices to that of some of my personal family members. Hoarding isn't an easy subject when it

comes to those who are doing the task or to those who are cleaning up the aftermath. I've undergone

having to explain to a loved one that their actions are both dangerous to their general health and that

what they're collecting isn't worth the hassle of going to get it, place it in certain areas, and never look

at it again. Hoarding isn't necessarily something an individual can turn on and off. It's a coping

mechanism-- one I've seen first hand. I believe that Jewell's story portrays this to a T and for that, I'm

a reverent fan of this novel.

    I'd highly recommend this novel to anyone interested in furthering a look into the familial dynamics

that come with understanding and accepting those who've got their own personal overcommences. This

novel covers a number of topics, but I believe it's the psychological aspect of the novel that works best--

not a thriller/suspense psychological, but a realistic, life-altering one.

Comments

Popular posts from this blog

Four-Walled Nightmare

I will always and forever say this - Lisa Jewell is the QUEEN of the suspense/thriller genre. I'm sure most who read her would agree with me in comparing her and/or referencing her written ability in crafting a phenomenal read to that of the infamous Agatha Christie in her time. Jewell's 2019 debut novel centers around a young woman by the name of Libby Jones, a competent individual with a safe, bright future ahead. Until, she receives a letter shortly after her 25th birthday informing her of a family inheritance worth a fairly decent price and then some . Jones is introduced to readers as the main character to follow, but other characters soon take stage in a plot-twisting novel where family ties don't always hold true with faith, love, and blood. Jewell has this astonishing ability to craft the perfect chapter, whether it be mere attention to detail, length of pages or strategic craftsmanship of paragraph and dialogue portions leaving the reader wanting more - causing th...

All Around the Ferris Wheel

  Megan Miranda's novel, "All The Missing Girls", was a thriller/suspense novel I was happy to inhale from my TBR pile - literally (two days of reading straight through). The storyline follows Nicolette Farrell's life, from ten years prior to drastically moving out of her hometown and present day. I believe anyone can relate when Nic's character spends time reminiscing about how things were during high school vs how much things can change when becoming adults. But, what happens when something you did ten years ago starts to repeat itself - almost too much? It makes you wonder, are we really any different than how we used to be? Or have we just gotten better at masking it? Miranda does an awesome job, in my opinion, by introducing this story in backwards timeline sectioning. Nic's return is broken up into two/three weeks worth of a story (with longer portions towards the end of the novel) but Miranda works backwards in showing the jump between past and present...